In his article “Proust Wasn’t a Neuroscientist. Neither was
Jonah Lehrer”, Boris Kachka features the life and career, but more specifically
the fall, of neuroscience expert, writer and speaker Jonah Lehrer. Within
months, this man’s promising reputation was shattered by acts of plagiarism.
Lehrer succumb to the pressure of providing his audiences with a compelling
story, often cutting corners in his journalistic practices and neglecting the
importance of thorough editing. Does Kachka’s wordy account in the lifestyle
magazine New York paint a clear
picture of Lehrer’s misfortunes? I am not so sure, and I’d recommend readers to
proceed with caution.
In his current position as a culture journalist, Boris
Kachka writes profiles, features and unauthorized histories for New York magazine. Starting his career
as a fact-checker and event-lister for the magazine, Kachka soon became a
contributing editor and beat writer for its reinvented culture section. In his
time with this role, he’s interviewed and profiled hundreds of characters and subjects
associated with the city of New York. Also contributing to The New York Times, GQ and Elle
on topics like foreign drinking etiquette and Central Park, Boris has
carved out a clear niche as a writer of culture. (http://boriskachka.com/about/). His style of writing concerns me, however, as
it seems sensationalistic at times, making it quite confusing to follow. One has
to wonder whether Kachka was motivated to provide a correct recollection of the
story or to roll out a piece that was as compelling and intricate as possible.
The nature of the publisher will ultimately effect the credibility
of this feature as well. New York
magazine has long been a trusted and very successful outlet, most recently
winning 2013 Magazine of the Year at the National Magazine Awards. However, the
birth of the magazine falls was aided by the growth of New Journalism, a style
of news writing arising during the 1960s and 70s. In contrast to conventional journalism
that strives for objectivity, new journalism allows for the ideas and opinions
of the writer to permeate throughout the story. Some even labeled the writing
as activism. Although it is now accepted that New Journalism is dead, the early
roots of subjective writing at New York magazine
still stand as its foundation. There were many digital responses
to this article on NYmag.com, but one stood out from the rest as a mark for
concern and reason to read with caution. Tom Rielly, a member of TED, which is
a global set of speaking circuits, weighs in on the article. Kachka mentions in
his feature that Lehrer attended and was associated with these speaker events
as an expert in neuroscience. Yet according to Mr. Rielly, “Jonah Lehrer has
never spoken at TED. Period” (http://nymag.com/news/features/jonah-lehrer-2012-11/comments.html).
In a well-written and thorough response, Rielly disputes multiple points that
Kachka made in his feature while creating more reason to approach the article
with caution.
In conclusion, although Boris Kachka's piece was an interesting read, there are certain elements of subjectivity and possible factual errors involved that lower the confidence I have in the details it describes.
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